There’s a great deal of articles floating around which deal with the gap between story and gameplay and the efforts made to bridge it. Having assimilated quite a few of them, I’d like to see if I can't synthesise a common denominator to build on.
The main point of contention which returns pretty much everywhere is the diametrical opposition of what story and gameplay want to do. The authors of this article mention that “a game writer looks for brief moments -- cutscene or otherwise -- when she can take control of the game so that she can create throughlines, pacing, conflicts, character development, plot twists and thematic meaning, while a game designer looks for ways to give control -- not to the writer, but to the player”. Henry Jenkins confirms that opposition in this publication, which opens with a selection of quotes illustrating the different approaches to games: “Ludologists want to see the focus shift onto the mechanics of game play, while the Narratologists are interested in studying games alongside other storytelling media”.
Welcome to Playthroughline, a personal blog focused on the implementation of stories in games. In addition to general musings about narrative design, you’ll also find a collection of scripts that basically do for videogames what The Editing Room does for movies.