Joannes Truyens

Blog posts by Joannes Truyens

Iron Finish

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Iron Fish
Not Marvel's Iron Fist, go away.

My first attempt at actually writing a game instead of making fun of them resulted in Woolfe: The Red Hood Diaries, which was released back in 2013. Not a lot of my work ended up in the final product, since the team went in a different direction late in the process. Then, at the end of last year, I was offered another chance to write a game by my former compatriots over at BeefJack. The work ended up ballooning from two months to nearly a year, but that gave me more time to work with some amazing people, not in the least Nina, a close friend I managed to bring in as a writing partner.

Now the game has been released on Steam! If you want to give it a play and then write a scathing satirical script on it, please do. I deserve no less. Below the jump you'll find the latest trailer and a look back at the project.

Welcome to the slightly new and marginally improved Playthroughline!

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Playthroughline
Shiny.

It's been six years since I started this little blog and it's grown quite a bit since then. At first I was just putting out a couple of wacky scripts that poked fun at stories in videogames, but in those six years, those scripts have been read and shared by more people than I could have ever hoped for, and I even got fellow writers interested in contributing scripts. That's why I felt it was time to give Playthroughline a thorough redesign to get with the times already. So, what's new? Let's take a look.

Let's compare Max Payne 3 to The SpongeBob SquarePants Movie

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Everything ripped apart in a Bikini Bottom minute.
Everything ripped apart in a Bikini Bottom minute.

Since we've just had some fun at Max Payne 3's expense, I figured it was time to give the game its due and discuss some of the deeper themes and mechanics that drive the experience. Just kidding, you've already seen the title, this is where I compare the storyline of Max Payne 3 to that of 2004's SpongeBob Squarepants movie.

Less than Interstellar

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I remember time being a flat circle.
I remember time being a flat circle.

I am always interested in charting a game's development path and looking at what could have been. Games are subject to a lot of iterations and sometimes go through an entire redesign (as was the case for Splinter Cell: Conviction). That's why I would like to talk about Interstellar (which is not a game, bear with me) and how I was disappointed with what was eventually realised from the original script penned by Jonathan Nolan. You can read it in its entirety here and I'll be comparing it to the finished product in this post. For the sake of convenience, Jonathan Nolan's first version will henceforth be referred to as the script and the movie will be referred to as (wait for it) the movie. Also, spoilers.

From deconstructing narratives to designing one

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 The Red Hood Diaries. Not narrated by David Duchovny (sadly).
Woolfe: The Red Hood Diaries. Not narrated by David Duchovny (sadly).

It appears I've been running this little blog for four years this month. Please join me in a celebratory nod as a distraction from the recent lack of updates. At least I have a series of valid excuses this time. I've spent a month in America! I've moved house! And pretty much the most exciting development of all: I can actually call myself a narrative designer now! For the last two months, I've been working closely with the Antwerp-based studio GriN on a game called Woolfe. It's an episodic platformer/brawler set in the Red Riding Hood fairy tale, but with that customary dark twist thrown in. I'm currently in charge of finetuning an already established story foundation and writing dialogue and voice-over elements. The first trailer is below the jump.

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